今天這套房子，是兩個(gè)70歲老人的住宅，用簡(jiǎn)單的材料和寧靜的氛圍相融合，做出一個(gè)現代極簡(jiǎn)又流動(dòng)的空間。
Today, this house is the residence of two 70-year-old people, which combines simple materials with quiet atmosphere to make a modern minimalist and flowing space.
在112㎡小4房的格局上，犧牲一室打開(kāi)了整個(gè)空間的布局，讓客廳和餐廳共處一室，木白色調讓設計盡可能地舒適、克制。
In the pattern of 112㎡ small four rooms, sacrificing one room opens the layout of the whole space, allowing the living room and dining room to coexist in one room, and the wood-white tone makes the design as comfortable and restrained as possible.
格柵移門(mén)處阻隔了入戶(hù)視線(xiàn)，保護隱私的同時(shí)，也讓歸家更有儀式感。
The sliding door blocks the sight of people entering the house, protecting privacy, and making home more ceremonial.
利用入戶(hù)和廚房的側墻做出一個(gè)玄關(guān)柜，中間鏤空設計不僅能放進(jìn)出小物裝修家居，也讓中控、開(kāi)關(guān)瞬間隱身。
玄關(guān)柜前，老人從舊宅帶來(lái)的小換鞋凳，讓過(guò)去和未來(lái)的時(shí)光在這里交織。
Use the side wall of the entrance and kitchen to make a porch cabinet. The hollow design in the middle can not only put small things in and out, but also put the central control and switch in.
In front of the porch cabinet, the old people brought a small shoe changing stool from the old house, making the past and the future interweave here.
生活空間內的便是自然光照。將陽(yáng)臺和客廳打通，選用的設計低矮的家具，不遮擋落座后的視線(xiàn)，讓人在室內就能感覺(jué)室外的可人陽(yáng)光。
The most extravagant living space is natural light. Open the balcony and the living room, and choose low-rise furniture, which does not block the view after sitting down, so that people can feel the pleasant sunshine outdoors indoors.
溫馨自然的木飾面沙發(fā)墻前，寫(xiě)意空間Ligne roset 的Prado沙發(fā)與地毯用色統一，不同的材質(zhì)搭配，豐富了空間的肌理。
Ligne roset's Prado sofas and rugs are used in a uniform palette to enhance the texture of the space.
豎百葉有洗凈陽(yáng)光的作用，給室內帶來(lái)靈動(dòng)的光影，溫潤的木椅可坐可躺，化身整個(gè)家里自由舒適的所在。
The vertical louvers have the effect of washing the sunlight and bringing smart light and shadow to the room. The wooden chair brought by the old man can be used to sit or lie down, and incarnate the most free and comfortable place in the whole home.
電視墻從入戶(hù)右轉延伸至陽(yáng)臺，依次藏下收納柜、次臥入口和電視墻，黑色不銹鋼電視柜直接落在黑色大理石地磚上，讓空間從視覺(jué)上更具整體性。
The TV wall extends from the right to the balcony, hides the storage cabinet, the entrance of the second bedroom and the TV wall in turn. The black stainless steel TV cabinet directly falls on the black marble floor tiles, making the space more integrated visually.
原先的廚房被整個(gè)打開(kāi)，做成了開(kāi)放式餐廳，整個(gè)公區形成開(kāi)闊、敞亮的南北通透格局。
The island shaped kitchen design, surrounding the island and the restaurant, forms the first migration route in the public area, making the space more smooth and open. Parents can also look after and accompany each other when they are at home.
廚房在餐廳一側，白色移門(mén)后的中式廚房，迎合了老人的生活習慣，改不掉的“飄窗臺”成為女主人的奢闊操作臺面。
水池前的半扇玻璃隔墻，一不影響封閉性，二能保證光線(xiàn)的自由流通，三創(chuàng )造了餐廚區良好的溝通性。
The kitchen is on the side of the dining room, and the Chinese kitchen behind the white sliding door caters to the old people's living habits. The "Piaochuangtai" that can't be changed has become the hostess's favorite luxurious operations area.
The half glass partition in front of the pool does not affect the closeness, ensures the free flow of light, and creates good communication in the kitchen area.
折線(xiàn)燈暗示了空間的轉折，在餐區四周?chē)铣黾抑杏袩熁饸獾目臻g。
The broken line lamp indicates the turning point of the space, and encloses the most smoky space in the family around the dining area.
餐區背后無(wú)中生有的白、木色的柱體，借折線(xiàn)燈的結構，和餐區連為一體。
白色柜包進(jìn)了改不掉的上下水管，還延伸出來(lái)做了收納。木色柜則保證了空間的視覺(jué)平衡和呼應，讓衛生間和兩個(gè)臥室門(mén)前的空地也豐滿(mǎn)起來(lái)。
The white and wooden columns behind the dining area are out of thin air, and are connected with the dining area by the structure of the broken line lamp.
The white cabinet is packed into the water pipes that can't be changed, and it also extends out for storage. The wooden cabinet ensures the visual balance and echo of the space, and makes the open space in front of the bathroom and two bedrooms plump.
巨大的中島下方，以抽屜的形式做足了收納。一旁的墻面，則圍繞窗體拉平墻面，左右、下方均做足了收納。
Under the huge kitchen it is fully stored in the form of drawers. The wall on one side will be leveled around the window, and enough storage space will be built on the left, right and bottom.
平時(shí)僅兩個(gè)老人自己居住，于是將原先的兩個(gè)小衛生間合并為一個(gè)，保證舒適的空間尺度的同時(shí)，做出干濕分離。
淋浴間增加的坐浴區，和極簡(jiǎn)的電熱毛巾架，都在保證視覺(jué)審美的同時(shí)，兼顧了實(shí)用功能。
At ordinary times, only two old people live by themselves, so the original two small toilets are merged into one, which ensures a comfortable space scale and separates the wet from the dry.
The additional sitting bath area in the shower room and the minimalist electric towel rack both ensure the visual aesthetics and take into account the practical functions.
主臥被木色包裹的墻面和頂面，讓空間充滿(mǎn)溫暖閑適的度假感。
The wall and top of the master bedroom are wrapped in wood color, making the space full of warm and leisurely holiday feeling.
懸空的衣柜設計，滿(mǎn)足儲物功能的同時(shí)，讓空間更加閑適、靈動(dòng)。
The suspended wardrobe design satisfies the storage function and makes the space lighter and more agile.
南邊的次臥分別面向陽(yáng)臺和客廳做雙開(kāi)門(mén)設計，形成家中的第二個(gè)洄游動(dòng)線(xiàn)。
陽(yáng)臺的家務(wù)區讓老人的家務(wù)動(dòng)線(xiàn)被大大縮短，也方便家人隨時(shí)從陽(yáng)臺查看老人的情況，更加安全。
The second bedroom in the south is designed with double doors facing the balcony and living room respectively, forming the second migration line in the home.
The housework area of the balcony greatly shortens the housework line of the elderly, and it is also convenient for the family to check the situation of the elderly from the balcony at any time, making it safer.
原始平面圖
設計平面圖
工作室介紹
團隊介紹
費弗空間設計（FF DESIGN）成立于2017年，是一家在業(yè)內享有聲譽(yù)的室內設計公司。
設計團隊由一批高素質(zhì)國際化的資深設計師組成裝修家居，為客戶(hù)提供專(zhuān)業(yè)及優(yōu)質(zhì)的硬軟裝整體設計服務(wù)，設計范疇包括建筑設計、高端住宅、樣板間及售樓中心、精裝交樓標準、酒店及餐飲俱樂(lè )部、商業(yè)中心、辦公空間等。
FF DESIGN 擁有才華橫溢的專(zhuān)業(yè)人士與管理團隊，其資源與技術(shù)優(yōu)勢完全可以勝任完整的項目運作，即：市場(chǎng)分析定位、總體規劃以及貫穿整個(gè)項目施工過(guò)程中的施工圖設計、現場(chǎng)管理等。
此外，我們與其他建筑設計和工程事務(wù)所及品牌專(zhuān)業(yè)咨詢(xún)公司保持有良好的合作關(guān)系，實(shí)現無(wú)縫對接。共同為客戶(hù)提供優(yōu)質(zhì)的設計服務(wù)。
設計理念
我們的作品應當是對當下的社會(huì )問(wèn)題作出的一種回應，是在解決過(guò)去、現在和未來(lái)的連續性問(wèn)題。
我們認為設計應在普遍性當中尋求與眾不同，差異性和多樣性，這些是設計進(jìn)步的源動(dòng)力。
設計不應只是追求夸張、驚人的形式，應當是對現代人行為方式的研究。
我們跟很多設計師一樣，在資源過(guò)度消耗的今天追求負設計，負設計是在滿(mǎn)足人們需求的前提下將能耗降到。我們希望用合適的設計語(yǔ)言讓人跟空間產(chǎn)生對話(huà)、交流與情感共鳴。
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